Death of a Salesman and A Raisin in the Sun

May I never wake up from the American imagine. Carrie Latet describes the most sought after(prenominal)(prenominal) fantasy the dream of a ho rehearse surrounded by a white picket fence, the dream people work their entire lives for, the dream people fight wars for the American dream. However, Americas rise to industrialism in the 19th and 20th centuries replaced this dream with the desire to get rich fast. This flip-flop led people to believe that it is possible, unwashed veritable(a) off, to obt ain wealth cursorily yet this is non the case.Sometimes, when an individual is un qualified to acquire such essential wealth, he create a sense of false universe for himself, his common sense is blurred, and he sees opportunities where there be n integrity. Characters Walter d makewind Younger and Willy Lo homophile argon prime examples of this, both pinning their hopes on unattainable dreams to hide the feelings of failure. The basis of illusion versus reality is present in b oth Lorraine Hansberrys A Raisin in the Sun and Arthur Millers expiration of a Sales humanness by dint of the portrayal of main extensions Walter and Willy in their struggles for happiness and prosperity.Although the two characters have equivalent dreams, Walter, a dynamic character, breaks through the fantasy while Willy, a motionless character, corpse trapped in his illusion. Willy Loman has a very unique(predicate) dream, a contorted version of the American dream. Willy dreams of beingness successful and providing for his family, only when likewise to be popular and well liked a spin slay the classic American dream, which is gener bothy just to have a able sprightliness. Driven by his need for success and popularity, Willy ignores his c solely(prenominal)ing for nature and throws totally his heart into becoming a salesman.Willy is enthralled by the story of Dave Singleman, his transport and idol. I realized that exchange was the greatest career a man could requisi te. Cause what could be more satisfying than to be able to go, at the age of eighty-four, into twenty or thirty contrastive cities, and pick up a phone, and be re parted and loved and helped by so many an(prenominal) different people (Miller 81). This story is the sole reason for Willys desire to be a successful salesman, but what he does non realize is that Singlemans case is one in a million.Although he doggedly pursues a career in selling, Willy to a fault recognizes his need and desire for nature in his retirement plans. As he disc everyplaces Linda, Before its all over were gonna get a minor place out in the country, and Ill raise nigh vegetables, a couple of chickens . . . (72). However, his failure to note nature as his true passion fuels his failure in the trading world as well. Denis Diderot concludes, Only passions, great passions, can elevate the soulfulness to great things. Tempted by success and property, Willy veers from his passion for the outdoors toward s business, for which he has little passion.The theme of nature is prevalent from the plays beginning as, A melody is heard, played upon a flute. It is small and fine, telling of grass and trees and the horizon. (11). This specific tune is often associated with Willys character, distancing him from the environment, but emphasizing the connection Willy has to it. many a(prenominal) would argue, Willy has set himself up for failure by choosing the business career. In outrank to escape the feeling of dejection, Willy reverts to his falsely joyful previous(prenominal) and creates multiple illusions for himself, perceive the world through a glass clouded with desire and failure. angiotensin converting enzyme of Willys greatest regrets is refusing to accompany Ben to Alaska. If Id deceased with him to Alaska that time, everything wouldve been totally different (45). Bens success in Alaska not only when presents Willy with the possibility of money, but it would too satisfy his conne ction with nature. Bens percentage in the play continually represents Willys resentment of his decision to stay, and his proneness for a second retrieve to take the opportunity. Next, Willy fondly retreats to his past, a past glossed over in gold. Willy imagines a happy and cheerful history with his family, including his father, whom he never actually k newfound. Ben Please tell somewhat Dad. I destiny my boys to hear. I necessity them to know the kind of stock they spring from. (48). This is ironic, because Willy doesnt remember his father aside from his beard and his flute, so he would not know if his father would be someone to admire. Even though Willy does not have a job, he wants so badly to continue being a salesman that he still drives out to Boston and some other cities, deluding his snug wife, Linda Loman, and in part, himself, to think that he is going on important selling missions.Willy lies so convincingly that, when Ben proposes the idea of going to Alaska, a s hocked Linda exclaims, Youre well liked, and the boys love you, and someday why, old man Wagner told him just the other day that if he keeps it up hell be a member of the firm . . . (85). Linda is clearly oblivious to the fact that Willy is c suspirefallen and miserable. Willy even tries to quiz to himself that he is happy, but the only true reason he remains a salesman is to gain the money he believes accompanies the job. Throughout Willys struggle, Charley, a FOIL to Willy, is constantly at Willys side helping him.Charley is Willys crutch, his reality check, and basically his only fri bar. While Willy fights to keep his family afloat, Charley has a unfluctuating job while Willy manages his childrens lives, Charley leaves his only son, Bernard, to find his own path while Willy loses his grip on reality, Charley has a firm grasp and a level head. Charley is the true example of the hard working, happy man achieving the American dream. Willys failure to recognize his own desponde nt state is chiefly what causes his tragic downfall. As the play nears the end, Willy is faced with a decision.He knows that he will not be able to work much longer, and that at some point, he will have to rely on his sons. Willy also realizes that he has nonentity to pass down to his sons. The solution he poses up with is suicide. Willy determines that this proposition is legitimate because it benefits his whole family. While talking with Ben, Willy justifies his decision by saying, Lindas suffered. . . Remember, its a guaranteed twenty-thousand-dollar proposition (125-126). When jab confronts him, Willy comes to an astonishing realization Biff he likes me (133). This only further deepens Willys desire to commit suicide, which would depart his family to collect the insurance money. However, the real reason for Willys tragic end is his static personality. His refusal to see the world as it is and his refusal to change means that he is veiled by his distorted vision of life for ever. Willy is never able to break through his illusion, truly believing that he is more semiprecious dead than alive. Finally, the decision is made and Willy commits suicide. The car speeds off . . . moving away(p) at broad(a) speed. . . The music crashes down in a fad of sound, which becomes the soft pulsation of a single cello string (136). The rest of the Loman family is left alone, without the insurance money. As Charley sums up at the funeral, He had the incorrect dreams. All, all, wrong (138). Willy died because he didnt know how to forge his own path. Although he had the lay on the line to arise back, he remained a salesman because he was in it for the money. Had he changed his mind and followed his heart, he would certainly have had an entirely different end. notwithstanding that was his predicament Willy Loman did not have the ability to change, something that Walter Lee Younger does have. Walter Lee Younger has dreams that are very similar to Willys to provide for h is family and to be successful. Unlike Willy Loman, though, Walters dreams of happiness for his family in addition to success. As an African American man, Walter constantly struggles against racial boundaries. The pressure to support his struggling family, including his sis and mother is a constant weight on his back. Walter informs milliampere, I want so many things that they are driving me crazy . . Sometimes its like I can see the future stretched out in front of me . . . exclusively waiting for me a big, looming blank space full of nothing (73). Like any father or husband, Walter desperately wants a comfortable and content life. The tension between Walter and his wife, Ruth, partially stems from Walters inability to deal with his low income, low class job. I open and pen up doors all day long. I drive a man almost in a limousine and I say Yes, sir no, sir very easily, sir . . . that aint no kind of job . . . that aint nothing at all (73).Not only is Walter dissatisfied with his job as a limousine driver, but he is embarrassed by it. Walter is desperate, but as a black man, his options for a new occupation are limited to those of a similar caliber to his current job. However, Walter finds an opportunity that could turn his life around. I been out talking with people who understand me. great deal who care about what I got on my mind. (87), . . . we got it figured out, me and Willy and Bobo (33). Inspired by this new hope, Walter envisions a future of prosperity and happiness. This is mostly fueled by Walters idol Charlie Atkins.Similar to Willys infatuation with Dave Singleman, Walter believes that Atkins, who owns a juiceless cleaning business which grosses $100,000 per year, is success incarnate. Atkins is Walters inspiration for his own dream of buying liquor store with Bobo and Willy Harris, which could be made possible by the insurance money from his fathers finis. In addition to his dreams for himself, Walter also has dreams for his son. L ike most fathers, he wants a better life for his son, Just tell me where you want to go to school and youll go. Just tell me, what it is you want to be and youll be it . . . Whatever you want to be YessirYou just prepare it, son . . . and I hand you the world (109). Although Walter has all the same dreams as a white man of his age, they are harder to obtain due to racial boundaries, and Walter must find a way to overcome these limitations. With so many things unperfected in his life, Walter sees money as a solution to his problems. For the Youngers, the symbol of money represents a new house, new clothing and shoes for everyone, especially forWalters son, Travis, more food for their table, education for Travis and Walters sister, Beneatha, as well as the down payment on Walters liquor store.When Mama questions Walter How come you talk so much bout money (74), Walter responds, it is life, Mama . . . it was everlastingly about money, Mama. We just didnt know about it (74). It is ironic that Walter comments that money is life, because the most significant money in the Younger family comes from Big Walters $10,000 life insurance check. As Asagai explains to Beneatha, Isnt there something wrong in a house in a world where all dreams, good or bad, must depend on the death of a man? (135). The illusion Walter holds that money is life contrasts with the reality that the money comes from death.Later, Walter becomes very bilk as he realizes how unfair the world is, Somebody tell me tell me, who decides which woman is suppose to befool pearls in this world. I tell you I am a man and I think my wife should wear some pearls in this world (143). Because of all this pent-up regret and disappointment, Walter reverts to Willy Harris and Bobos plan for a source of comfort and hope. His desperation clouds his common sense, and when Mama entrusts him with the remaining insurance money, Walter invests all of it in the liquor store, even that mean for Beneathas educati on.Despite his poor decision, Walter has a newfound exuberance (112). He truly believes that this new deal will turn his family around in a new direction, I got wings You got wings All beau ideals children got wings (125). However, things take a spin when Bobo arrives with the despairing word that Willy Harris, revealed as a con man, has disappeared with the money. Walters incredulity is clear as he realizes that all of the hope he has built up over the liquor store has disappeared like a flash of lightening.Now that all of the insurance money is gone on Walters watch, he is even more responsible for his familys desperate state. Luckily, he is presented with a chance to redeem himself. Before the disheartening news that Willy Harris stole the Youngers insurance money arrives, Walter is extremely confident. He is even willing to encourage with Mamas plan to motility into their new house in Clybourne Park, a plan Walter had previously opposed. When Karl Lindner arrives to persuad e the Youngers not to move into their new house, Walter confronts him. We told him to get out . . . Oh, we was some grand folks this afternoon . . (142). However, after the terrible news of the lost insurance money is disclosed, Walter is not so sure-footed. He realizes the punishing financial situation, not to mention the peril that this move will put them in. Ruth, who desperately wants to move, reads her husbands hesitation and questions him, You talking bout taking them peoples money to keep us from moving in that house? (142) and Walter replies, Im telling you thats whats going to happen (142). Despite his strong opinion about not moving, Walter experiences a change of heart when Lindner returns.He realizes how much the chance to live is really worth as he sees the potential for Travis, Beneatha, and even for himself and Ruth, and how much the new house will help each of them to kindle and flourish. Counter to Willy Loman, Walter learns to value life, learning that money does not necessarily erupt you a blissful, carefree life. Walter asserts to Lindner, We have all thought about your run . . . and we have decided to move into our house because my father my father he earned it for us brick by brick. . . . Travis . . . my son . . . he makes the sixth multiplication of our family in this country . . And thats my sister over there and shes going to be a doctor and we are very proud . . . we are very proud people (148). Walters dynamic character allows him to emerge from his black hole of despair, a trait that Willy Loman lacked, therefore triggering his own tragic downfall. Now that he is able to accept his mistake of losing all of the insurance money and has shattered the illusion that it is possible for everyone to be as successful and rich as Charlie Atkins, and that excessive wealth does not equate to happiness, Walter can fully appreciate his life, especially his loving family.From a low gear look, the Younger and Loman families could not be more different. Through careful analysis, though, one finds that they are astoundingly similar. Both working class families, they consistently struggle to plead their current standards of living, a struggle made much more difficult by the expectant illusions Walter Lee and Willy cling to. The theme of illusion versus reality is vital in both A Raisin in the Sun and Death of a Salesman, demonstrating the harsh reality that a persons life will never be perfect, and that some people will use heir imagination to fill in the gaps. The sad truth is that some people, like Willy Loman, are never able to break through the illusion. band on success and popularity, Willy renders himself victim to his mind forever, ending in death for him, and tragedy for his family. Others, such as Walter Lee Younger, possess the inner force necessary to break free from this perfect, imaginary world to see that all they want, all they need, and all they seek, is right before them.