Benvenuto Cellini and the Creation of Perseus :: essays papers

Benvenuto Cellini and the Creation of PerseusMy name is Bernardino Mannellini. I am this instant working on my own trying to succeed as a sculptor here in Rome. I exact found the trouble extremely difficult, but it was expected after my apprenticeship with the great sculptor, Benvenuto Cellini. He was non the some famous but was equally deserving as much(prenominal) great sculptors as Michel Agnolo Buonarroti. This is why I write to you today. Cellini produced one of the most beautiful works of this time in his masterpiece of Perseus. It was a singular feat whose story can non go untold (Huntley 251).Cellini and I had arrived in Florence from France for a short while. Although he was very successful in France under the boost of Majesty King Francis, Cellini wanted very much to revisit his cradle of Florence. He quickly became known to the Duke and did a few works for him. First, the spacious bronze bust of his excellency secondly, a restoration of the Ganymede i n marble which cost a great deal of difficulty and thirdly, the Medusa nous cast in bronze. Succeeding well with Medusa, Cellini wanted to start on a cast of Perseus holding the taper of Medusa (Cellini 410).Cellini made the ascend model which came issue beautifully, but I was questionable to whether it would come out in bronze as did the Medusa. Apparently the Duke agreed with me when Cellini went to speak to him of the witness he was working on. His Excellency was struck by the beauty of the rebel model but questioned how it would succeed in bronze with Perseus grasping the head of Medusa so richly. The statue would stand ten and a half feet eminent if exhaustd with Perseuss hand holding the head of Medusa high in front of him. It was clear why his Excellency was concerned for how Cellini would complete the bronze statue. I was standing aside from Cellini as he time-tested to assure the Duke that the statue would succeed. Cellini pleaded My lord, I know how ver y little confidence you have in me and I believe the reason of this is that your most illustrious Excellency lends too ready an ear to my calumniators, or else indeed that you do not understand my art.