The vampire's victim

The rime Daddy by Sylvia Plath is a dramatic and lesson scene of suffering and turmoil endured by Plaths character term fighting against the destructive forces embodied in her lamia-father and lamia-husband. Axel catalogues the character as the replica of a person who suffered the Elektra obscure: Here is a poem spoken by a girl with an Elektra multiform (51). As the readers gradually move through the poetry, we feel the heroine intense, spiritual living. Also we confront the Father-God figure, the Father-Nazi figure, the Father-Vampire figure and finally, we confront the Husband-Vampire figure. To joint this last image, Plath takes not only the vampires bloody side into lieu but she to a fault describes the vampires destructive force exerted everywhere the speaker: You do not do, you do not do / any(prenominal) more black shoe / In which I lived same(p) a foot / For thirty years, poor and white (Plath 1-4). However, as Kroll remarks, The premier half of the poem describes the heroine and her spectacular act (120), art heading the second part is successively replaced by the vampires role (in limpid forms). Moreover, Plath creates the vampires double identity by playing with the poems words: sometimes to refer to her father and sometimes to refer to her husband. As the distinct vampire, who uses blood for pleasure and for survival, the vampire from her poem resembles all these qualities. Although the vampire is a parasite, he is the one in control and as well the one who makes the rules (in the first part of the poem). The first twelve stanzas of the poem are dominated by the childhood image of her father, which persists into maturity (Nance 125). Her fathers dominance is recollected not only from her memories but also from her real(a) experiences. He is described as a... If you want to get a unspoilt essay, order it on our website: OrderCustomPape r.com

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